Living Dead Girl sends us into "Autumn" time with new single

So it's this time of the year again that you can feel that things are about to change. The sun goes down earlier und the leaves are changing their color. You can feel that autmn quickly draws near.

So I thought it would be nice to post some decent music today that comes around with the fitting music for this part of the year. What we have here is some Dark electronica with a industrial pop production and the beautiful voice of Jessica English laying down some haunting moments on this track. She teamed up with Jonno Lloyd who contributed guitar, bass, synth, programming, and backing vocals. The result is the brand new single called "Autumn" of the duo Living Dead Girl.

The song comes with a deep meaning as Lloyd reveals in a statement: “Autumn explores the pain of unrequited love” Lloyd tells us, “and the changes we experience after finally leaving it behind.’ This was one of Jess' solo songs that never truly saw the light of day, the challenge was then how to make it a Living Dead Girl song but still maintain that feeling of vulnerability and hope. The result is probably our most optimistic song but one that still feels very natural for us.”

The dark electronica duo Living Dead Girl, (c) by Living Dead Girl, used with kind permission
If you like what you hear go to Bandcamp. Thats where you can hear the full release as well as purchase it for a few bucks.

Find out more about Living Dead Girl through a look on Facebook, Twitter or Instagram.


Meshiaak release "Sin City" styled video

I'm often of the opinion that it's the small things that make life beautiful. We all don't have much in life so we need to make the best of things.

Meshiaak have come around with a brand new video for the song "At the edge of the world". The small thing that makes this one a special clip is the fact that the band let's it rain while they play the track and also use only few color elements in the black and white styled promo video. Both are things you may remember of the "Sin City" movie.

A cut-out of the album cover and the band logo, (c) by Meshiaak, used with kind permission

But for me it's far more that this. The song itself has a topic with a meaning behind it. Also it's more of a darker kind I like to hear that the music comes along in a cool style. It breathes a deep meaning- and thoughtful atmosphere. Two elements that may have become lost in this fast living world. Plus there is the vocal performance of Danny Camilleri who put's in variations and haunting parts which I love so much. The drum performance of Jon Dette is hard and you can feel the push of the beat as he plays the drums.

The reason behind this outstanding performance is easy to see. The vocalist breathes his own experiences through the lyrics as he makes clear in a statement about the lyrics: “It’s the kind of song that would speak to people on a lot of different levels, something that most people would be able to connect with fairly easily. It’s a song that is very close to me personally, especially when it came to the lyrics. It’s where I’ve found myself in the last three years and my moments of doubt, trials and frustrations concerning experiences I’ve had to go through over that time.”

The album "Alliance Of Thieves" is out now via Mascot Records/Mascot Label Group. Make sure to connect to Meshiaak via Facebook.


Demo Review: Souldrown - Evil Of War (recorded 2000 / released 2016)

Sometimes things happen that seem to have been lost in time... A demo release in the style of early Helloween and Stratovarius but evolved further to a much more complex and diverse style.


Souldrown has its origins back in 1993. They began as heavy-power band, mainly influenced by bands like Accept, Helloween, Stratovarius etc. As the years went on, they radically changed the style towars a darker, more complex and progressive direction, mainly influenced by Tool, Dream Theater etc.

Unfortunately, the band never gave themselves the chance to have an official release.

Souldrown recorded some stuff in the late 90's-early 00's, for a demo release, from which some rough mixes have survived. This is what can be heard on the "Evil Of War" demo right here which finally sees the light of day in 2016...

The cover of Souldrown's "Evil Of War" demo, (c) by Souldrown, used with kind permission


This is a demo with two sides of the story. The first two tracks are clear in the structure, high vocals and dominant bass guitars. Tracks 3-5 are a bit different. Those are much more complex in the structure and sound and it needs some time to get to the point of them. I see some potential in this band since they have not only sticked to the sound of their favorites but dared to evolve it further. I think this kind of music needs some fresh kick and this band could provide it. It would be great to know what this band has on their minds after all these years.

This goes especially for the vocals. The vocalist keep them in a high region but also makes sure to keep them a bit more in the middle peak which makes them enjoyable and keeps the voice authentic. This prevents the tracks from being destroyed by a too loud noise that would make the melodies not identifiable anymore.

In detail Evil of War is clear and round for me. A grooving rhythm pushes throughout the full track duration and makes it a lot of fun to listen to it. The vocals are high and the refrain comes with various layers something not many bands work with. The bass guitar sets apart in the sound straight from the start. Last Hours is my favorite on the tape. A double bass cracker with fine keyboard parts packed in a roundly sounded package. It's typical melodic power metal. It feels more as a story than a song but it's something I like.

Track 3 Talk Hard offers more variations in the rhythm section while the overall speed is set to midtempo. Melody is set on top again but it comes around differently when you look at the style of it. More keyboards to be found in this one. The fastest track on the digital tape is called Dragons Lair. It's the hardest to get by anyway. A complex song structure makes it hard to get a grip on the sound. The vocals form a guiding light through the whole song.

See The Signs closes the release. This one is more complex than the previous track and comes with a high-tempo format. We hear the typical high notes in the vocals that seem to be a trademark of Souldrown. Some vocal effects can be heard, too. Those give the vocal performance some more variation and will hark back. They sound unusual so you'll want to re-listen after a first round.

Player / Purchase Link

The whole tape can be streamed for free here in the player. You can download a digital copy for only one euro on Bandcamp so please give the artist a sign that they should continue.

Contact Data

You can keep in touch with Souldrown via Bandcamp.